JAPAN at the 9th Thessaloniki Documentary Festical
Mar 18, 2007
The programme: http://www.filmfestival.gr/docfestival/2007/index.php?ln=en
| Abduction – The Megumi Yokota Story / Chris Sheridan / Patty Kim |
This is the true story of a 13-year-old Japanese girl who never returned home one dark November night in 1977. Decades later, her parents discover the bizarre truth – their daughter was abducted by North Korean spies.The film is a human drama of a mother and father’s grief and endless devotion, framed in a moving 30-year long search for their vanished child.An ordinary banker and housewife get caught up in an extraordinary international conflict; their personal tragedy lies at the center of one of today’s most talked-about, most emotionally-charged human rights and political crises in the East.
| Direction: |
Chris Sheridan / Patty Kim |
| Sceenplay: |
Chris Sheridan, Patty Kim with the collaboration of Laurie McClellan: |
| Cinematography: |
Chris Sheridan |
| Editing: |
Chris Sheridan |
| Sound: |
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| Music: |
Shoji Kameda |
| Producer: |
Chris Sheridan, Patty Kim |
| Production: |
Safari Media, USA T.-F. +1 202 234 5547 safarimedia@yahoo.com www.safarimedia.net www.abductionfilm.com |
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Betacam Color 85’ |
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USA - Japan |
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| Japan's Peace Constitution / John Junkerman |
In 2005, sixty years after the end of World War II, the conservative Japanese government is pressing ahead with plans to revise the nation’s constitution and jettison its famous no-war clause,Article 9. This documentary places the ongoing debate over the constitution in an international context:What will revision mean to Japan’s neighbors, Korea and China? How has the US-Japan military alliance warped the constitution and Japan’s role in the world? How is the unprecedented involvement of Japan’s Self-Defense Force in the occupation of Iraq perceived in the Middle East?
| Direction: |
John Junkerman |
| Sceenplay: |
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| Cinematography: |
Otsu Koshiro |
| Editing: |
John Junkerman |
| Sound: |
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| Music: |
Soul Flower Union |
| Producer: |
Tetsujiro Yamagami |
| Production: |
Siglo Ltd., Japan T. +81 3 5343 3101 F. +81 3 5343 3102 siglo@cine.co.jp www.cine.co.jp |
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DVCAM Color 78’ |
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Japan |
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| Birth/mother / Naomi Kawase |

I had initially intended this film to trace the period from the day I conceived until the birth of the new life. But as the work progressed, I came to the understanding that this was not a story of just this one life. Soon the film elevated itself to depict the knot between living beings. I realized that my ambiguous question of why people are all alone was fundamentally incorrect in the way it was set up.We living beings have lived and let live in relationships since long long ago. Conceiving a life means sharing one’s life.And the moment the child left my body, I consumed the singular internal organ that had connected me with it. It tasted a little bloody and warm.
| Direction: |
Naomi Kawase |
| Sceenplay: |
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| Cinematography: |
Naomi Kawase |
| Editing: |
Naomi Kawase, Kayo Takefuji |
| Sound: |
Naomi Kawase |
| Music: |
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| Producer: |
Naomi Kawase |
| Production: |
Kumie, Japan T. +81 7 4227 2216 F. +81 7 4226 1830 noirmam@sepia.ocn.ne.jp www.kawasenaomi.com & Sent Inc. |
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Digital Beta Color 43’ |
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Japan |
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| Out of Place – Memories of Edward Said / Sato Makoto |

In September 2003, Edward Said, the Palestinian American and eminent intellectual, died. In the spring of 2004, Said’s grave was placed, not in New York where he had lived most of his adult life, not in Palestine where he was born, but in the small Lebanese town of Brummana.This film begins with the story of Said’s grave, symbolic of the complexities of his life. Guided by interviews with Arab, Israeli and American thinkers, Out of Place is a journey through the memories and legacies of Edward Said, an exploration of the prospects for the reconciliation and coexistence that Said fought for throughout his life.
| Direction: |
Sato Makoto |
| Sceenplay: |
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| Cinematography: |
Otsu Koshiro, Kurihara Akira, Sato Makoto, Boyd Estus |
| Editing: |
Hata Takeshi |
| Sound: |
Tsurumi Yutaka |
| Music: |
Daniel Barenboim, Duo Esperanto (Guy Kark & Nizar Rohana) |
| Producer: |
Tetsujiro Yamagami |
| Production: |
Siglo Ltd., Japan T. +81 3 5343 3101 F. +81 3 5343 3102 siglo@cine.co.jp |
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DVCAM Color 137’ |
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Japan |
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The word “Bakushi” means the rope-master or the rope artist in Japanese bondage.They perform by using multiple pieces of rope “to tie” or “to bind” the bodies of models for perfomances, magazines and videos that specialize in S&M. This documentary deals with the lives of these peculiar professionals in the Japanese bondage known as “Kinbaku”.
| Direction: |
Ryuichi Hiroki |
| Sceenplay: |
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| Cinematography: |
Kazuhiro Suzuki,Tatsumi Watanabe |
| Editing: |
Ryuichi Hiroki, Jun Tsugita |
| Sound: |
Akira Fukada |
| Music: |
Koji Endo |
| Producer: |
Naoya Narita, Yoshiyasu Ikezaki, Mikihiko Hirata, Tadashi Ono |
| Production: |
Arcimboldo, Japan T. +81 3 5361 3121 F. +81 3 5361 3122 www.arcim.com |
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35mm Color 94’ |
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Japan |
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| The Great Happiness Space: Tale of an Osaka Love Thief / Jake Clennell |

The film introduces an extraordinary hidden world of Japanese nightlife in Osaka’s Cafe Rakkyo and the denizens of this glamorous demimonde, dedicated to partying till they drop. Presided over by the charismatic, enigmatic Issei, the number one ‘host boy’ in town, the club offers a new twist on the ancient geisha tradition. Glamorous host boys make beautiful young women laugh, feel good about their lives– and pay handsomely for their pleasure. In this secret, outcast society of wealthy young people, money seems to mean easy gratification. But all these stylish players have to pay for their pleasures, and they can cost more than money.
| Direction: |
Jake Clennell |
| Sceenplay: |
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| Cinematography: |
Jake Clennell |
| Editing: |
Hisayo Kushida |
| Sound: |
Evan Benjamin |
| Music: |
Robert Coyne |
| Producer: |
Jake Clennell |
| Production: |
Jake Clennell Productions, USA T. +1 212 514 6062 contact@thegreathappinessspace.com www.thegreathappinessspace.com |
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Digital Beta Color 75’ |
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UK - USA |
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